SACRED PAWS (SCOTLAND)
Écrit par Guilhem Baudry sur 2 septembre 2019
L’album européen de la semaine, c’est «RUN AROUND THE SUN» de SACRED PAWS (ECOSSE). Gagnez cet album en écrivant à musique(at)euradio.fr
ABOUT THE ALBUM :
Glasgow based indie-pop duo have released their vibrant new single ‘The Conversation’, taken from their forthcoming album Run Around The Sun. The follow-up to Strike A Match their SAY Award winning debut, Run Around The Sun is due for released May 31st via Rock Action.
‘The Conversation’ is the explosive opening track from Run Around The Sun. Beginning with a scream of guitar ‘The Conversation’ includes all the hallmarks of a classic Sacred Paws song – where intricate guitar work and complex drumming collide with pop-smarts and dual vocals of both Rachel Aggs and Eilidh Rodgers. The track was written about a long-forgotten argument between friends, composed in the band’s traditional unplanned approach, each member’s thoughts and feelings slaloming through the other’s. “You’re all wrong, you’re walking away/Why would we even try to have this conversation?” the song asks before resolving to move on – “I’m running, I’m hiding out, resisting I’m keeping this to myself…”. The argument that inspired it is long forgotten but the feelings remain.
Run Around The Sun includes the previously shared ‘Brush Your Hair’. An infectiously fun listen, ‘Brush Your Hair’ has quickly become a favourite on BBC Radio 6 Music.
Elsewhere, the album brims with upbeat reflections on growing up and looking back. Shimmering guitar riffs dance between snappy beats and swooning melodies that will have crowds committing to far more than a simple head-bob. “I think we’d get bored if it was too slow,” Eilidh says. “We’d never want to play something live that people couldn’t dance to. It would feel really strange to us. It’s kind of the whole point.”
The first iteration of Sacred Paws was a long distance affair – Eilidh in Glasgow and Rachel in South London. They’d meet up periodically to write songs and Strike A Match was “all the songs that we happened to have, put on an album,” says Rachel. She recently moved from London to Glasgow and though it made little difference to the scrapbook approach Sacred Paws have to creating music, Run Around The Sun fizzes with a renewed sense of urgency, with bigger hooks and choruses and an even more varied sonic palette.
Sacred Paws have a natural inclination not to take things too seriously. You can hear it all the way through a conversation with its two members, guitarist Rachel Aggs and drummer Eilidh Rodgers, punctuated by rolls of giggles and thoughtful pauses, and you can hear it in the light touch they bring to their music, a jangly blend of indie-pop full of fizzing world rhythms and bright horns. “I think taking yourself seriously is always a bit scary,” Rachel says, laughing at the absurdity of the statement in a Serious Music Interview for a Serious Music Biography.
This new danger of taking things seriously is a by-product of winning the Scottish Album of the Year award in 2017 for their debut record, Strike A Match. Winning felt “very weird” to the two women whose aim had never been anything other than to make music they enjoyed and have fun with it. “To be like oh, ok, right – we have to believe in ourselves now?! It’s mildly challenging.” But if you thought that meant Run Around The Sun would be a po-faced follow-up rammed full of lofty pretentions, you’d be wrong. It brims with upbeat reflections on growing up and looking back. Shimmering guitar riffs dance between snappy beats and swooning melodies that will have crowds committing to far more than a simple head-bob. “I think we’d get bored if it was too slow,” Eilidh says. “We’d never want to play something live that people couldn’t dance to. It would feel really strange to us. It’s kind of the whole point.”
The first iteration of Sacred Paws was a long distance affair – Eilidh in Glasgow, Rachel, also a member of post-punk outfits Shopping and Trash Kit, in South London. They’d meet up periodically to write songs and Strike A Match was “all the songs that we happened to have, put on an album,” Rachel says. “We really didn’t think about it all that much. It was just like here are all our songs.” She recently moved from London to Glasgow – not a requirement of winning the SAY Award – and though it made little difference to the scrapbook approach Sacred Paws have to creating music, grabbing studio time here and there, it did lend Run Around The Sun a sense of focus. “It was a broader kind of gesture, like, a song – what is a song? Thinking about that a bit more.” Written and recorded in fits and bursts over the course of the 18 months up until November 2018, they had the mindspace to think more about the shape of the record too. “We did spend more time thinking, well, what would it be nice to have? Rather than, ‘Oh well these are the songs and what you get is what you get.’ We’d be like oh we’ve got one song left. Shall we make it a slow one?”
It was a friend celebrating a birthday by toasting, “Here’s to another run around the sun!” that lent the album its name. “You know when you hear a word and you suddenly keep hearing it everywhere? It was one of those,” Rachel recalls. “It just kept coming up.” Songs do tend to have a preoccupation with time and growing up, although that wasn’t a theme that the band really noticed until later. Brush Your Hair sees Rachel singing to her younger self, while Almost It deals with the phenomenon of looking back and realising you were exactly where you were striving to be and Is This Real urges you to take advantage of the present. “‘A run around the sun’ sounds so effortless but it’s such an understatement; that’s never what a year feels like! But it’s a useful way to think about it when you look back.”
It wasn’t until they began parsing the album for meaning that Sacred Paws realised they’d written a collection of songs about time. “We often sing over the top of each other, about completely different things and we never really talk about it,” Rachel explains. ”That means the songs always have really different ways that you could interpret them; but they both come from a personal place for both of us. So there’s a lot of potential depth in there but nothing is preconceived, it’s just not how we do things. We don’t even really know what’s going on…” “So we make it up,” Eilidh deadpans.
Opening with a scream of guitar and a Hey Mickey-esque beat, the album’s first track, The Conversation, was written about a long-forgotten argument between friends, composed in the band’s traditional haphazard approach, each member’s thoughts and feelings slaloming through the other’s. “You’re all wrong, you’re walking away/Why would we even try to have this conversation?” the song asks before resolving to move on – “I’m running, I’m hiding out, resisting
I’m keeping this to myself…” The argument that inspired it is long forgotten (“It was probably something really dumb”) but the feelings remain.
On Brush Your Hair, the band’s chopped and screwed style of lyric writing is most evident. Pop melodies simmer over insistent drums as they sing back and forth. “I’m kind of talking about lasting memories and how time and different things will remind you of people,” Eilidh says, going on to joke: “But I don’t know – what’s Rachel singing again? Something about brushing your hair?” “Er, I’m singing more at a younger version of me, actually,” she laughs.
The outcome of this approach is something unintentionally poetic. “It ends up like a cut up poem because we’re thinking about different things. That’s a nice combo because usually you are when you’re two people in a room, even if you’re having a conversation about the same thing, everyone’s thinking about different things. But we do respond to each other, it’s just that we don’t really talk about it.” And just as we’re in danger of getting too serious about the whole thing, Eilidh asks, “What, like we’ll sing ‘I know, I know’ at the same time?” and we’re laughing again. “Yeah, we’re just singing the same words.”
“A slow one” isn’t really Sacred Paws’ MO but there is, in fact, a slow one on Run Around The Sun. How Far was borne of a riff Rachel had been noodling about with for some time, and a desire to try their hand at writing something a bit different. Nestled in the middle of the album, it’s a slightly twinkly, stripped back meditation that inspires more of a sway than a pogo. Rachel wrote the bones of it alone at home (“A really nice, calm way to write songs!”) and brought it to a studio session to be built on. “It was sort of the first song we’ve done in a while that was carefully done, in that way.”
Meticulous planning, careful preparation, a masterplan – none of these are really Sacred Paws’ thing, and perhaps that’s why Run Around The Sun is such a vibrant, optimistic sashay of a record. It’s no surprise that winning more awards and making their millions isn’t what they aspire to as a band; “We’re just enjoying it and having fun with it,” Eilidh says. “The minute it stops being fun…” There’s a pause as if it doesn’t bear thinking about, before she concludes: “That’s not success for us.”